3,212 Royalty-Free Audio Tracks for "Chords On Instruments"

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

Dominant seventh tritone resolution chords, As MIDI

F majorΕλληνικά: Η συγχορδία ΦΑ μείζονα

Dominant seventh in Monteverdi's "Lasciatemi Morire" ("Oh, Let Me Die"), Lamento_d'Arianna. Created by Hyacinth (talk) 09:44, 12 January 2012 (UTC) using Sibelius 5.

Dominant seventh with root doubled and missing fifth resolving to I, in C.

Pandiatonic chord with nonharmonic bass in Igor Stravinsky's Symphony of Psalms, 3rd movement.

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Lydian chord on C.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

Young temperament major chord on C. Created by Hyacinth (talk) 17:25, 15 December 2009 using Sibelius 5

Eleventh chord diatonic on C.

viio/V - V - I chord progression. Common in ragtime.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Fifteenth chord from Schoenberg on C

Minor chord on A.

Created by Hyacinth (talk) using Sibelius.

Augmented major seventh chord on C

Diminished seventh chord as incomplete ninth in C.

Ninth vs added-ninth chord.

Minor major seventh chord on C.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Diminished seventh chord on B.

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

Bridge chord, named after en:Frank Bridge. Minor chord with a major chord a whole tone above. Chord pictured followed by arpeggio with D major at the octave.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Diminished triad on C , as MIDI.

Sixth (A), in red, of a C added sixth chord. Created by Hyacinth (talk) 15:57, 4 July 2010 using Sibelius 5.

Root, in red, of a C major chord.

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Diminished triad on B, as MIDI

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Alternate augmented ninth chord on C.

Musical note.

Musical note.

Musical note.

Musical note.

Musical note.

Звуки натуральной трубы Си-бемоль.Natural trumpet B-flat.

Звуки натуральной трубы Си-бемоль.

Musical note.

Musical note.

Musical note.